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noted the museum is especially good for
“I had a small Canadian group that was
interested in the museum, and gave them a
behind-the-scenes experience,” she said.
Boyd noted that it’s easy to combine
multiple venues for one group. Among the
venues that fit together well, she said, are
the Ogden Museum of Southern Art, which
hosts receptions amid a collection of origi-
nal artwork from around the South, and the
New Orleans Museum of Art (NOMA), with
a private boardroom that overlooks City
Park, as well as a 220-seat auditorium and
capacity for receptions of 1,200.
Smaller venues can host group events,
such as the George & Leah McKenna
Museum of African American Art, while the
Guardians Institute’s Donald Harrison, Sr.
Museum, focusing on indigenous cultural
arts, is available for off-site exhibitions.
Trosclair likes to highlight various ele-
ments of New Orleans culture and history.
“We welcome opportunities to educate
groups by incorporating several voodoo
museums as well as the Voodoo Spiritual Temple and cemeteries among our
offerings for teambuilding, tours and
events,” she said. “Once visitors learn the
truth about this beautiful form of positive
spirituality, they are stunned to learn they
have been vastly misinformed by inaccurate movie depictions and myths. For many
clients, this is a unique and fascinating
highlight of their visit to New Orleans.”
MARDI GRAS OUTFITS: THE DONALD HARRISON, SR. MUSEUM
NEW ORLEANS CVB
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